January 31, 2013

Review: This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It


This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It
This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

My rating: 4 of 5 stars



Wow, that was far beyond what I was expecting. I liked [b:John Dies at the End|1857440|John Dies at the End (John Dies at the End, #1)|David Wong|http://d.gr-assets.com/books/1189289716s/1857440.jpg|1858059] quite a bit, but felt it under-capitalized on its potential. This book was truly impressive. The difference, I think, was that this one was a more cohesive story, and despite the fact that the reader never truly knows why event that drives the plot occurs, the narrative holds together extremely well. I have to say that this is one of the most tightly written, suspenseful books I have ever read. Of course I'm not into thrillers that much, but I don't think anybody would describe this book as anything but fast-paced. On top of that, this book, like the first one, reminds me of [b:The Hitchhiker's Guide to the Galaxy|11|The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1)|Douglas Adams|http://d.gr-assets.com/books/1327656754s/11.jpg|3078186] in that it achieves a fine balance of comedy and poignancy. I don't want to include spoilers in my review, but the events of the ending are both touching and bizarre. While the vocabulary of the book is nothing that would challenge your average high-school graduate, the concepts brought forth in the book are those that are relevant to how we view ourselves and each other.

I don't want to go on too long, so I'll have to end here with a simple thought: read this book! You won't regret it, although it seriously is full of spiders.



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January 29, 2013

Review: Warm Bodies


Warm Bodies
Warm Bodies by Isaac Marion

My rating: 3 of 5 stars



Well, it's an interesting experience. I thought the writing was great and I know this author has some serious potential. However, the book is irretrievably stupid. The plot doesn't make any sense at all, which I guess is ok if it's more of a character story, but this isn't really a character story. I hope the author was writing down to his audience, and that his moralizing and philosophizing are really so juvenile because he deliberately spurned complexity. I don't generally go for "dreams come true" books where there is a completely unearned happy ending.

Also, the main female character was irritating beyond belief, especially as the delivery method for most of the story's philosophy.

All in all, I hope the author chooses to dedicate his talents to more deserving stories than this garbage.



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August 13, 2012

Review: Julian Comstock: A Story of 22nd-Century America


Julian Comstock: A Story of 22nd-Century America
Julian Comstock: A Story of 22nd-Century America by Robert Charles Wilson

My rating: 4 of 5 stars



This was an unexpectedly good book. I picked this up mainly because of the author's other works like Spin and Darwinia: A Novel of a Very Different Twentieth Century , both of which are astoundingly original and well-written. This book didn't sound as interesting as either of those. I'm not much interested in Westerns, which is what the description of this book made it seem like to me. I was wrong about that, however.

The book begins in the year 2172 in a semi post-apocalyptic world. 21st century civilization collapsed due to a number of reasons, but mainly because the oil ran out. Disease ran rampant (as it would if we lost our modern medicines) and humans suffered from infertility to the point that humans were threatened with extinction. By the time of the events of this book, however, civilization in the United States and Europe has progressed roughly up to the age of steam.

The political situation is set up such that the US has expanded its borders to the equator (either at the Panama Canal or past it) and almost the north pole, although the polar ice cap has melted. The melting of the ice is itself a plot point in that the European powers claim to control the now-extant Northwest Passage, and the US of course denies this claim. The US and Europe are perpetually at war over the issue.

This is the backdrop for the story of the titular character, Julian Comstock. He is an aristocrat exiled to live in the country out west because his uncle, the President, is afraid of having him as a rival, but unwilling to simply kill him out of hand. The story is told by a Julian's friend Adam Hazzard, a commoner but one with an unusual amount of writing ability and education. Adam is with Julian from his exile to his rise through the ranks of the Army (and his eventual end) and details the story throughout.

In reality, this book seems to be an exercise in the craft of writing, moreso than it is an effort to tell the story. The story itself is as simple as it sounds, although it is not without adventure along the way. The episodes in the tale serve both to illustrate points about Julian as well as to spice the story up and keep it from becoming dull reading. It's not as if Wilson is attempting to blind the reader to what it is though; indeed, he tells us over and over again that the writer (Hazzard) is emulating his favorite author, a man named Charles Curtis Easton, in writing a tale full of adventure, humor, and tragedy. Which of course is what Wilson himself is doing. The story hearkens back to an older style of sci-fi novel wherein any science elements served only to liven up the narrative by allowing the existence of ray guns or flying through space. Note that I am not calling this book science fiction other than that futurism falls under the category of sci-fi by agreement.

Although the narration itself is quite serviceable, the prose tends towards a plainness which can be rather irritating. Hazzard's impenetrable naivete is really too much to take at times, even if it is a put-on (which question I pondered quite a bit as the story went on). Of course, unreliable narrators are not necessarily a drawback, as most definitely proven by Severian in Gene Wolfe's Shadow and Claw: The First Half of 'The Book of the New Sun' . Neil Gaiman (a devoted fan of Wolfe's), while not being prone to giving first person narration, also has a habit of being unreliable in his storytelling, presenting his stories from a third-person limited viewpoint. In other words, one needn't be too bothered by a lack of knowledge on the part of the narrator if the writing is done well enough.

Of course, all along, while Adam is writing the story of Julian, he's really telling his own story. Julian's thoughts and feelings were always presented as being opaque to Adam, although he could possibly have presumed to know Julian better than anyone else did. The fact is that Wilson was writing the story of a character who considered himself secondary to another character who was, in fact, secondary to his own story. The question is whether Wilson succeeded in writing an interesting story. I think the answer is yes, although I can see how someone less impressed with Wilson's style may not be as favorably inclined towards a book which is about a writer writing a book. But Wilson (and Wilson as Hazzard) never set out to write a book which is really more than the formula he sets forth as Mr. Easton's model; a boy goes out, has adventures and finally comes home. And I think he succeeds at writing that story admirably.

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June 21, 2012

Review: The Light Fantastic


The Light Fantastic
The Light Fantastic by Terry Pratchett

My rating: 4 of 5 stars



Well that was really good. Much improved from the first book, and much more in the style of the later Discworld books. I enjoyed it thoroughly!



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June 18, 2012

Review: The Warlord of Mars


The Warlord of Mars
The Warlord of Mars by Edgar Rice Burroughs

My rating: 3 of 5 stars



This one is still enjoyable, but it does drag a little, as nothing substantially new occurs in it. It follows the formula established in the first two books of John Carter again and again falling victim to some nefarious evil-doer (in this case two characters carried over from the last book). Tales of his adventures follow. It's not bad, but if you're not in the mood for more of almost exactly the same, it tends to be a little boring. Also, it's a bit too long to be merely a rehash of the same plot from the last two books, and although Burroughs' writing is never less than serviceable, there's only so many times you can take reading about how much John Carter loves fighting.

All in all, I'd say that if you really liked the first two Barsoom books, you should read this one, but if you were bored by the second one, there will be nothing new here for you.



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June 08, 2012

Review: Reamde


Reamde
Reamde by Neal Stephenson

My rating: 4 of 5 stars



Truly a good book. I haven't read all of Stephenson's works, but I was worried that the newer his books were, the slower they moved along. Snow Crash remains the fastest-paced of his novels, but Reamde certainly picks up the pace compared to later releases like Anathem.

This is one of the most interesting books I've read in a while. The basic plot is that a computer hacker wrote a virus for users of the fictional game "T'Rain" that just happened to ensnare the Russian mob, a member of whom kidnaps Zula, the niece of the founder of T'Rain. Their plot to wreak vengeance on the hacker goes astray when they run afoul of terrorists bent on sneaking to American and committing acts of terror there.

The official blurb of the book only mentions the "main" character Richard Forthrast, but in reality the book revolves around Zula. Then again, it does center around Richard for a long time at the beginning, but Zula's story grows in scope until it dominates. This is both good and bad. Stephenson being Stephenson, he never seems to feel that too much information is a bad thing. For a long, long time, I thought that this book was about Reamde (the computer virus) and T'Rain. Turns out, both of them are almost entirely irrelevant. And yet Stephenson spends hundreds of pages on Richard and his dealing with the game, which is responsible for getting the story moving along, but not at all for keeping it moving along. As a matter of fact, I thought a subplot was developing along the lines of the break between the "Bright" and "Earthtone" coalitions in the game, which turned out to go nowhere. So there's the main problem with this book: it's just too much information which is unnecessary.

That being said, it's still a really, really great thriller. When events finally get to the point where the terrorists (with Zula in tow) make it to Canada, stuff really starts happening, and it's pretty amazing. Another reviewer said this was like "14 Die Hards in a row" and that's definitely true. May not be a selling point for some, but it is for me! However, all the intense action tends to be broken up by long pauses, at least until the ending. And then it's just amazing!

One of the best things about this book was the characters. The cast is wide and varied, and it's great. To begin with, none of them turn out to be superheros like John McClain (of the Die Hard series) who can do impossible things and survive in the worst of circumstances despite being shot at by a dozen enemies. None of them are James Bond. The couple of guys who do have military expertise use it to great advantage, but are not supermen, so there are no scenes of them mowing down 20 terrorists. The civilians are all special in their own way, but they're still just ordinary people trying to survive an extraordinary situation. And really, that's what makes them great. Zula especially has got to be one of the most heroic yet ordinary person that a book has ever had. Frankly, she's one of my favorite characters of all time, and probably my favorite female character of all time. She's not some shrinking violet, but at the same time she doesn't somehow become a female Punisher taking on all comers. Nor does the author overcompensate by making her either over- or under-sexualized, or a tough-talking wisecracker who can give as good as she gets. She's an intelligent, interesting person who just happens to be thrown in unimaginable circumstances and does her best to survive, and through sheer force of will just happens to do a great job at it. If you read this and don't find yourself saying that Zula is great, there's just something wrong with you.

The other characters on Zula's side are also pretty interesting. Csongor, the big Hungarian computer expert who happens to fall in love with Zula is a very admirable character, as is Yuxia, the little Chinese woman who is determined to come to Zula's aid no matter what. Marlon, the hacker who wrote Reamde is a little less well-fleshed out, but still a cool guy and he adds important points to the story at times. Sokolov, the Russian ex-military "security expert" is the hardass gunman you want on your side. Olivia, the British-Chinese spy lady, is smart and capable, and Seamus, the Boston-Irish terrorist hunter has a smart mouth and is good with a gun. As a matter of fact, I'd go so far as to say that just about all of these people could star in their own books. The only one who's not as well fleshed out is Jones, the terrorist, but he at least is not a cardboard cutout of a jihadist. I would guess that probably Stephenson didn't actually want to delve into the psychology of a terrorist. That's a deep, deep topic in itself and he already had a couple of plots and a dozen characters to worry about.

Stephenson lets his sense of humor come through a lot, and it definitely adds to the appeal. Examples include Yuxia, Csongor and Marlon wash up in the Phillipines and just happen to take a bus carrying European sex-tourists, for one, and in another instance when Sokolov refers to the American separatists as the "American Taliban" for another. The book has moments of humor in the middle of the bleak desperation of the situation, which keeps the mood from ever getting too heavy. It's really a quite good strategy to keep the book from being monotone.

The only real problem of this book is Stephenson's absolute need to just dump pointless facts and information on us about any and every topic addressed. Not that authors can't provide details here and there, but, as an example, when Stephenson says that Richard has noise-cancelling earmuffs for use when he's at the family reunion shooting range, I don't actually need to be told how they work. I mean, if I didn't already know how, I'd assume it was some techno-magical device, which it is. And early on in the book, he spends a lot of time talking about Corporation 9592 (the corporation behind T'Rain) including the feud between the two authors they have working on writing the game, the economic system, the Brights and Earthtones, the arbitrary distinction between good and evil characters, etc, etc. Not to say that it doesn't need to be mentioned, just not at the length of dozens of pages.

Still, despite the obsessive need of Stephenson's to detail absolutely everything going on, this is a fantastic thriller, and I'd recommend it to anybody who's a fan of that genre. This is most certainly not a work of science fiction (that we would normally recognize as such) so if you're into Stephenson for that reason alone, you probably don't want to go near this one.



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June 07, 2012

Review: The Gods of Mars


The Gods of Mars
The Gods of Mars by Edgar Rice Burroughs

My rating: 4 of 5 stars



Man, what an adventure! This book resumes the story of John Carter ten years later, as he is once again magically (not really) transported to Mars. After that, this book is one of the fastest-paced reads I've ever had! Carter returns only to discover the terrible secret that has lain at the heart of Martian religion for thousands of years, and that his wife, Dejah Thoris, has disappeared. He is reunited with his friend, the Jeddak Tars Tarkas. This is an exciting story and for anyone who likes the first story, it not only compares favorably, but in some ways improves upon it.

My only criticism is that Burroughs' writing is sometimes just too dramatic. It doesn't quite feel natural that John Carter himself would describe the "red mist" coming over his eyes time and time again (since this is written in first-person view). The writing should be a little less flowery, but that doesn't seriously detract from enjoyment of the story.

There's an interesting over-arching theme to this book, and that is that the Martian religion is not only flawed, it leads them to do horrible things in the belief that they have some divine right to do them. While it's never stated explicitly, it seems like the author was at least making some comments on the power of religion to make people behave terribly. Given the otherwise completely pulpy, substance-free nature of the John Carter series, it's quite surprising that he would make such a point about religion in this book. Just another surprise, and one reason why Burroughs can't simply be dismissed as a pulp writer.

All in all, a great follow-up to A Princess of Mars. Well worth reading!



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June 04, 2012

Review: Singularity Sky


Singularity Sky
Singularity Sky by Charles Stross

My rating: 0 of 5 stars



This book, like many sci-fi books, has an interesting idea and tries to do too much by building a book around it. The central plot is that an alien intelligence comes to a world which is deliberately trapped in an arrested state where the aristocracy rules over a land of peasants and the economy is mostly agrarian. The aliens drop devices on the planet that can basically grant anyone's wishes, with predictable results on the order and structure of this world.

The other plotline revolves around an agent who is attempting to keep the imperial power from going back in time to defeat what the empire considers an invading enemy. The two plots finally meet at the end, but for the vast majority of the book have very little to do with each other.

While I enjoyed Stross' writing for the most part, the book suffers from the common failing of trying to build a story around an interesting idea. The characters are not truly memorable, although they're serviceable for hanging the plot on. The other problem is that the plot that the author chooses to spend most of his time on (the one about the agents trying to stop the imperial fleet from time travelling) is a lot less interesting than what's happening on the planet. The entire story is driven by the changes happening on the planet, but aside from maybe a total of 40 or 50 pages we don't see what's happening there at all!

The author, in the name of realism, uses a lot of descriptions of the fleet ships, detailing their hulls, weapons, and crew. It honestly gets quite burdensome, even for those of us who read plenty of military fiction. I think he overdoes it. In comparison, David Drake is much more readable in terms of his description both of his military technology and the battles fought. Less is more, as they say.

All in all, I would recommend this book for the average sci-fi reader looking for something to read, but this is another one I would not lead someone into the genre with. I liked it, but it failed to capitalize on its most interesting component, instead choosing to focus on the much less interesting story of the two agents.



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May 11, 2012

Review: A Walking Tour of the Shambles


A Walking Tour of the Shambles
A Walking Tour of the Shambles by Neil Gaiman

My rating: 3 of 5 stars



This is a very short book, and was actually co-written by Neil Gaiman and Gene Wolfe (whom Gaiman has often declared himself a fan of). It purports to be a walking tour of an area known as "The Shambles", which is a fictional neighborhood in Chicago (where Wolfe lives) and obviously is the site of some extremely strange history. Some of the locations include a really weird church, a house of clocks, and a house belonging to H.H. Holmes (America's first serial killer). All of which remain rather dangerous for the casual visitor.

This book is fun, and while not a long read is an easy recreational read, sure to please both Gaiman and Wolfe's fans.



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May 10, 2012

Snow Crash


Snow Crash
Snow Crash by Neal Stephenson

My rating: 5 of 5 stars



What a truly amazing book! It's a futuristic thriller, written by a novelist with a stunning power of imagination. Unlike some of his later books, this one is fast-paced, almost to the point where too much is happening at once.

One of the things I really loved about this book is that the baddest bad guy is an Aleut. It's rare to have an American Indian who's not some kind of stereotype, and this guy really isn't. He's just incredibly awesome.

The protagonist of the story is named Hiro Protagonist (yeah!) and he's a half-black, half-Japanese hacker/swordsman. I know, it almost sounds like too much, but it turns out that he's really cool and it's not overdone.

The imagination Stephenson displays in this book is simply stunning. Connecting Sumerian myths to computer viruses and drugs is pretty original, but more than that is the work he's done building his socio-political world.

This book was a great read, and I highly recommend it to people who like thrillers or speculative fiction.



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