May 11, 2012

Review: A Walking Tour of the Shambles


A Walking Tour of the Shambles
A Walking Tour of the Shambles by Neil Gaiman

My rating: 3 of 5 stars



This is a very short book, and was actually co-written by Neil Gaiman and Gene Wolfe (whom Gaiman has often declared himself a fan of). It purports to be a walking tour of an area known as "The Shambles", which is a fictional neighborhood in Chicago (where Wolfe lives) and obviously is the site of some extremely strange history. Some of the locations include a really weird church, a house of clocks, and a house belonging to H.H. Holmes (America's first serial killer). All of which remain rather dangerous for the casual visitor.

This book is fun, and while not a long read is an easy recreational read, sure to please both Gaiman and Wolfe's fans.



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May 10, 2012

Snow Crash


Snow Crash
Snow Crash by Neal Stephenson

My rating: 5 of 5 stars



What a truly amazing book! It's a futuristic thriller, written by a novelist with a stunning power of imagination. Unlike some of his later books, this one is fast-paced, almost to the point where too much is happening at once.

One of the things I really loved about this book is that the baddest bad guy is an Aleut. It's rare to have an American Indian who's not some kind of stereotype, and this guy really isn't. He's just incredibly awesome.

The protagonist of the story is named Hiro Protagonist (yeah!) and he's a half-black, half-Japanese hacker/swordsman. I know, it almost sounds like too much, but it turns out that he's really cool and it's not overdone.

The imagination Stephenson displays in this book is simply stunning. Connecting Sumerian myths to computer viruses and drugs is pretty original, but more than that is the work he's done building his socio-political world.

This book was a great read, and I highly recommend it to people who like thrillers or speculative fiction.



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April 30, 2012

Old Nathan


Old Nathan
Old Nathan by David Drake

My rating: 3 of 5 stars



Pretty good. I like the way David Drake writes, but the Tennessean dialect as written really annoyed me. People talking that way doesn't bother me, but it's so unnatural to read it that it made it hard to concentrate. Drake fans should read it, as should anyone who likes reading about magic but in a more realistic setting.



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April 20, 2012

Bios


Bios
Bios by Robert Charles Wilson

My rating: 3 of 5 stars



Like many sci-fi stories, this one was based around a single concept (which I can't really talk about or it'll spoil the book). There's not really anything wrong with that, but it does tend to make the characters' stories less compelling. In such a short book it's hard to to really work up much emotional connection to the characters, although the author does sketch out a reasonable back story for the two main characters.

This book is well-written and interesting. It might have been better if it were longer, which is not something I say too often. But with more length he might have developed some of the ideas better. I just feel like the denouement could have been expanded a little.

All in all, if you're a fan of sci-fi or just Robert Charles Wilson, I'd certainly recommend this book to you.



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The Crossing


The Crossing
The Crossing by Cormac McCarthy

My rating: 4 of 5 stars



Well, that was a sad story. Folks who really can't stand to read books where people don't come away happier in the end than at the beginning probably shouldn't read this one. I still liked it. McCarthy's writing was still powerful and vivid, but there was a lot more concern for the actual story in this than there was in All the Pretty Horses.

In short, this book deals with a young man named Billy Parham crossing into Mexico (thus the name) three times. To put it succinctly, he meets with tragedy each time. This is not a feel-good book, but as usual from McCarthy, it's beautiful and well worth it.



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April 17, 2012

Run Toward the Nightland; Magic of the Oklahoma Cherokees



Run Toward the Nightland; Magic of the Oklahoma Cherokees by Jack Frederick Kilpatrick

My rating: 3 of 5 stars



Pretty interesting stuff. He included the texts of many incantations and the music of some which were to be sung. His notation system for the Cherokee language leaves something to be desired, as there's no pronunciation guide provided with this book. I suppose the author presumed the reader would have previous familiarity with his writings. The spells and author commentary provide much insight into how the Cherokee view the world and their place in it. For example, a Cherokee home (at least when he wrote the book) was rarely locked when the owner was out, but it was definitely warded against evil intruders.

Interesting reading for those who want to know more about how Cherokee people thought, but not for those wanting to know more history. Also, if one were looking for real Native American magic, this is it. Not only do you get the text of the spell, but the instructions as to how it is to be cast. Unfortunately, Cherokee magic done in English has no potency, so too bad for all the witches out there who were hoping for some new spells.

If the book had gone one for three or four hundred pages, it would have been far too boring and bland, but it clocks in under 200 so the average reader should be able to get through it without too much trouble.



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April 10, 2012

City At The End Of Time


City At The End Of Time
City At The End Of Time by Greg Bear

My rating: 3 of 5 stars



This is an interesting book, but overall a pretty difficult read. Others have pointed out that this is a retelling of William Hope Hodgson's The Night Land. This is true, in a way. Bear even mentions that book obliquely in a passage where the speaker says something to the effect of he went in search of a man who wrote of The Last Redoubt, only to find that he'd been killed in WWI. The plot is not really a redo of that book, however. While both books deal with a city that stands alone against the forces that wish to destroy what little remains of humanity, that's about the end of the similarities.

This city, we soon come to find out, stands as the last bastion of humanity in a universe where time itself is running down. The Chaos has eaten away all the rest of the universe except for the three cities of humanity which remain. It's not a bad setup, really. While you could imagine that there might be some celestial salvation for the people in The Last Redoubt, there will be none for those living in The Kalpa as the universe breathes its last breath. In one of these cities, part of the story follows two "ancient breeds", beings who are designed as throwbacks to earlier variations of humanity, although the time when humans held fleshly form was so long ago it cannot even be counted in the trillions of years. These two breeds, Jebrassy and Tiadba, are determined to break out of the boundaries of their world and go forth beyond the city walls to find out what lies beyond. Meanwhile, at a time which is roughly the present, three travelers of ambiguous origin and intent come to Seattle, where they are drawn for some purpose, although they don't know what.

And basically, after that, not much makes sense. I hate to put it that way, but even at the end it seems hard to understand exactly what happened. That Chaos had squeezed time from both the end and the beginning, destroying history and futurity at the same time, is strange, but understandable. But aside from the fact that the architect of the universe's salvation planned to basically cause a new one to be born, it's hard to understand how that plan was supposed to happen. I really didn't understand what the sum-runners were, what the point of the numbers was, who the Livid Mistress was or why she was collecting people, and how the collectors had partners that could do things like control wasps, fire, or whatever. He gave no real explanations, just lots and lots of details that shed no light.

As far as whether the plot was compelling in any way, it really wasn't. For one, jumping back and forth between points of view of people for whom nothing was happening hardly drove the story along, and it was probably about halfway through the book when any significant events actually occurred.

Now, this review probably makes it seem like I didn't enjoy the book, but if I hadn't enjoyed it at all, I certainly wouldn't give it three stars. I felt that the story was a good idea and Bear's writing was actually fairly smooth. The characters actually seemed to have their own personalities so they were easy to identify. I didn't always know what was going on, but I thought his descriptions were pretty good and the book was very inventive, so I enjoyed it well enough.

All in all, it's a bit too long for being so incomprehensible. I can only take that in shorter doses. I have never read another Greg Bear, although I did skim through Blood Music a while ago. I guess you might have a more favorable opinion if you're a big Bear fan, or not. I would not recommend this to anyone who's not a hardcore sci-fi fan, and probably not most of them. If you're into seriously apocalyptic sci-fi, this might be something to add to your reading list.



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April 04, 2012

The Talisman


The Talisman
The Talisman by Stephen King

My rating: 3 of 5 stars



I don't know. I like the story, as I almost always do with Stephen King's books, but there are some aspects of the writing I really hate. I don't know if it's his upbringing or just the way he writes, but sometimes it just sounds so terrible to me. "Put some bop on the radio, Jackie-boy" is what Jack's mother says to him, and while I can imagine that someone, somewhere, has said something like this, it sounds unbearably cornball to me. On top of that, he can't make the villains seem threatening to save his life. "Sunlight" Gardner is a parody of a televangelist. It's not that I have a problem of him making fun of the Jimmy Swaggart-Robert Tilton types, it's that he doesn't do it well. I know King is unfamiliar with evangelicals, but the only way you would know Gardner is charismatic is because King says no, not because he comes across that way.

Another problem I had with the book overall is that I have no idea why Jack's mom keeps running from Sloat. Why didn't she just hire another lawyer and appoint him guardian over the investments that would become Jack's when she died? Why didn't she go to a hospital? It's not like they weren't rich. On top of that, Jack's mom is just annoying. Pretending there's nothing wrong and running away! Come on, lady, that's no way to take care of your kid.

I don't really have a problem with much else, except it's seriously awkward to keep hearing "white" equated with good and "black" equated with evil. Sure, I know it's been done before (and is a recurring theme in King's fantasy) but when he says "the good, the white" as if the two are automatically the same thing just makes me want to shout out that it's a super-hackneyed cliche.

Oh yeah, and Parker doesn't really sound believable as a Southern black man. I know King didn't grow up with too many people of color around (I mean, Maine, really) so I don't know why he thought he could write a believable voice for one. Not that he's not a sympathetic character, and on the side of good, it's just he also sounds really corny and makes me cringe a bit.

Other than that, I really don't have a problem with the story itself. Kind of a modern hero's journey in the classic mold (as Joseph Campbell described it) set mostly in modern America but sometimes in a fantastical world. The more human and real King keeps it, the better. That's what he's exceptionally good at.

I'd still recommend it to most King fans, and possibly fantasy fans depending on what kind of fantasy they like. But there are definitely some folks for whom the drawbacks will be too overwhelming.



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March 30, 2012

After The Trail Of Tears: The Cherokees' Struggle For Sovereignty, 1839 1880


After The Trail Of Tears: The Cherokees' Struggle For Sovereignty, 1839 1880
After The Trail Of Tears: The Cherokees' Struggle For Sovereignty, 1839 1880 by William Gerald McLoughlin

My rating: 5 of 5 stars



What an amazing book! Histories of the Cherokee people tend to go up to the Removal and no further, as if Cherokee history ends at that point. Of course, that's not true. The Removal can possibly be said to be the most important single event in Cherokee history, although the event with the most damaging legacy is the passage of the Dawes and Curtis Acts collectively, as they illegally abrogated over two hundred years' worth of treaties between sovereign nations and ended the United States' recognition of the Cherokee tribe (as well as all others) as sovereign nations. Unfortunately, there are many, many fewer books about the Cherokee after the Removal than there are about the Cherokee before it.

This book goes a long way towards filling in the gap between the Removal and current times. As the title states, it specifically covers the years from 1839 to 1880 (the end date seemed rather arbitrary, but it was as good a place to stop as any). 1839 is the year that the Removal began, and although the author does cover it, it's really the starting point for McLoughlin's story of the Cherokee in their new homeland in Indian Territory.

For those who haven't read any Cherokee history whatsoever, this book may not be the best starting point. It doesn't absolutely require foreknowledge of major actors like The Ridge, his son John Ridge, John Ross, Elias Boudinot, Stand Watie and others of note, but it certainly is useful to have some of that knowledge even if it's only because it's easier to keep track of who's on which side. McLoughlin doesn't take a lot of time to build the back story, so it's probably not obvious why The Ridge was such a formidable leader and had so much influence even though he was never Principal Chief. Also, understanding the century and a half of Cherokee history (especially their dealings with white men) before the Removal would explain why there was a faction of Cherokees in favor of moving the tribe West.

In any case, the book quickly moves on to the efforts to rebuild the nation and deal with the factionalism that really only ended once the nation had been destroyed by the US in the early 1900s. Not only was the enmity between the Ross and Ridge factions deadly to members of both parties, it proved to be the focal point upon which the nation broke during the Civil War. But even aside from that, the early Cherokee settlers (those who had voluntarily moved as early as the 1820s) regarded the latecomers as potential usurpers of what they considered their established nation. Dealing with this degree of factionalism within the Cherokee nation consumed much of Principal Chief John Ross's time and efforts up until his death shortly after the Civil War.

McLoughlin covers this period of time in great detail. One of the best things about his book is that not only is he always talking about the national political situation, he gives an overview of what life was like for ordinary Cherokees at the same time. Obviously, the poor full-blood farmers had lost most of their possessions during the Removal and were expected to restart their lives as farmers in a new land that presented them with incredible challenges. They had been moved to worse farmland where the soil and vegetation as well as the climate were different from what they knew. They had no farm implements, no livestock, no seed, and not enough healthy people to put in all the work necessary even if they'd had the tools to do it. For a time they reverted to their oldest crafts, making earthenware pottery to serve and cook food in, as well as carving wooden utensils.

However, the Cherokee survived and prospered, eventually stabilizing and gaining some semblance of normality. Unfortunately, at the same time, the US was falling apart over the issue of slavery. Now, one of the lesser known aspects of Cherokee history is that there were Cherokee slave owners. The majority of Cherokees certainly did not own slaves, for the same reasons that most poor Southerners did not own slaves. Among the Cherokee however, there was no common feeling between the class of poor full-bloods and the richer (mostly) mixed-bloods (such was the common terminology at the time). When the US erupted into civil war, the Cherokee were caught between a rock and a hard place. The Cherokee Nation's leaders in the Ross Party and the majority of full-bloods (which means the majority of people) had no desire to side with the Confederate States. The reality, however, was that they had no power to resist the coercion of the Confederacy to side with them as the Union had no ability to project military power that far West and South at the time (or at least not the will to do it). In addition to that, the Ridge Party (led by Stand Watie, Ridge's nephew) was attempting to use John Ross's resistance to siding with the South as leverage with which to oust him from power, aided by the Confederacy. Ross decided that the only way to keep the Cherokee Nation in his party's hands was to at least temporarily side with the South. This may sound like a crass political ploy, which his opponents did accuse him of, but at the time the Ridge Party was petitioning the US government to separate the nation into two because they were tired of the "tyranny" of Ross and the full-bloods (this despite the fact that Ross was the representative of the majority). Ross saw this as a prelude to the destruction of the nation and determined that it would not happen. If that meant the nation had to side with the South in order to survive, he would do it. The Cherokee, as it happened, did not side with the Confederacy for long. Almost immediately after forming a couple of brigades, the one consisting primarily of full-bloods deserted. The anti-slavery, anti-Ridge Keetoowahs began organizing and fighting Watie's Confederate soldiers and supporters on their own. Eventually, Ross was willingly captured and went to Washington, where he affirmed that he'd only submitted to siding with the Confederacy under duress.

The Civil War, despite being a white man's war, split the Nation once again by reinforcing the division between the Ridge and Ross parties. This division, as well as the struggle to once again rebuild the nation, is the topic of much of the rest of the book. Eventually, as McLoughlin details, some reconciliation was achieved, but the Ridge supporters remained alienated from the leadership of the nation for the rest of the Cherokee Nation's history, right up until it was dissolved. Their original dislike for Ross stemmed from his staunch refusal to consider removal, which led to the treasonous Treaty of New Echota in 1835. After that, their contempt for Ross's government led to outright hatred when some Ross men (without his knowledge) assassinated Major Ridge, John Ridge, and Elias Boudinot. Not only were Watie and the other slave-owning mixed-bloods looking out for their economic interests when they sided with the South, they were seeking to use the conflict as a means to unseat Ross from power. When that was unsuccessful, after the Civil War their party morphed into opposition of the Downing government based on the fact that many of the wealthy mixed-bloods felt that their interests would be better served by some apportionment of the land and US citizenship, which naturally the full-bloods were dead-set against.

McLoughlin's book captures the complexity of Cherokee politics in this time wonderfully. He substantiates his arguments with plenty of evidence, and presents both sides in an unprejudiced light. This is exactly the kind of book that is necessary to give a counterbalance of all the stories of the Plains Indians during the same time period which is the image most Americans have of Natives post-Civil War. The story is not one merely of the inexorable expansion of Americans into Indian territory, but how the Indians dealt with whites all along as equals, or even as a method to gain influence in their own political systems. It is instructive and informative, and should be required reading for anyone looking to learn how Native societies deal with the encroachment of white societies.

The book's subtitle would imply that none of the history after 1880 is covered, but the author actually does go into a little bit of what happened up to the early 1900s. Obviously, as he says, the time of allotment and everything that happened during that is enough material for a book on its own (which unfortunately, he did not write), but he sketches out a rough image of what occurred. The story ends, basically, with the Cherokees left almost entirely landless, poor, and second-class citizens of a nation that didn't want them so much as it wanted their land.

All in all, this book is well-written, well-researched, and very, very informative for the student of Cherokee history. I highly recommend it.



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March 06, 2012

A Princess of Mars


A Princess of Mars
A Princess of Mars by Edgar Rice Burroughs

My rating: 4 of 5 stars



Well, that was really pretty good. Aside from some stupidity about how the Tharks became more bestial because of owning property in common (a fairly obvious reference to then current socio-economic theories advanced to explain why some people were "lower" on the scale of civilization) and talking about "savages" (aka Apaches) in the first part, the book was incredibly imaginative and so far ahead of its time it's a wonder that it hasn't been directly adapted into a movie until now. It's fairly obvious, however, that it inspired a lot of the sci-fi that came after it.

Burroughs may not have known that there was no possibility of life on Mars (or at least, nothing of that high an order), but he certainly didn't limit himself to what he thought might be possible. This is wildly speculative sci-fi here, and it's all the better for it. The story is not incredibly deep, nor is John Carter a very deep character. He's no cardboard hero though. What's surprising is how amorally he approaches just about any situation. Burroughs obviously wasn't concerned with character development, just a rip-roaring adventure story. In my eyes, he succeeded admirably at that.

Of course, this may not be enough for other readers, especially those who aren't fans of the adventure genre. I am, admittedly, a fan of things like Conan the Barbarian and Solomon Kane, so this book is definitely aimed at readers like me. It's certainly not high literature. The prose is never the kind of writing that would win awards. It's not awkward either, though, just serviceable.



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